Few Days Before Tomorrow
A story of connectedness by 50 dancing Brusselers and 10 MetX musicians.
The performance Few Days Before Tomorrow, which will premiere at MolenFest 2025, is the result of a participatory process that started at the beginning of this year. Artists, organisations and Molenbeek residents work together in a series of meetings, workshops and rehearsals, culminating in the creation of group choreographies. The project is rooted in Coulibaly’s social engagement and deeply human approach, and in different visions of the city, the energies that flow through it, and the dreams of the future that emerge.
Serge Aimé Coulibaly set up similar projects in Ostend, Tunis and Ouagadougou. The adventure in Brussels and Molenbeek brings together 50 participants, nine dancers from Faso Danse Théâtre, and MetX’s orchestra. An “impressive presence in the shared space of the city”, where questions about territory, connection, collaboration, generations, communities, power relations and legitimacy bubble up to the surface.
Co-presented by Kanal, Maison des Cultures et de la Cohésion Sociale de Molenbeek, Molenbeek for Brussels 2030 and Charleroi danse.
NEXT SHOWS
"FEW DAYS BEFORE TOMORROW"
Concept & choreography: Serge Aimé Coulibaly
3-6 Sep 2025 PLACE COMMUNALE 1080 MOLENBEEK-SAINT-JEAN (BE)
Serge Aimé Coulibaly

Serge Aimé Coulibaly is a dancer and choreographer from Burkina Faso. He was born in Bobo Diou- lasso, and has worked in Europe and the rest of the world since 2002.
His inspiration is rooted in African culture and his art is committed to the necessity of powerful contemporary dance. A dance rooted in emotion but also the bearer of reflection and hope. His vigorous expressiveness makes his work universal and finds a response on several continents. Since he set up his Faso Dance Théâtre company in 2002, Serge Aimé Coulibaly has been exploring complex themes, with the desire to offer young people a genuine positive dynamism. His productions have been presented in many theatres all over Europe and Africa and also been invited to several festivals.
These include Kalakuta Republik (2016), Nuit Blanche à Ouagadougou (2014), Fadjiri (2013), Khokuma 7° Sud (2011), Babemba (2008), Soli- tude d’un Homme Intègre (2007), A Benguer (2006), Minimini (2002).
With the support of the Flemish Government

With the support of Fédération Wallonie-Bruxelles and Wallonie-Bruxelles International

